ENQUIRY & RESEARCH MODEL / VELOCITIES
How can certain rhythmic scores enable both extreme asynchrony and collectivity?
How do we retain complexity and non-conformity within a community?
What does it mean to be only partly in collectivity?
Using scores that are durational, improvisational and rhythmic, this work delves into the experience of disorientation.
We are curious about the disorientation that occurs when individuals are asynchronous with their communities and the systems around them.
In these explorations, we research how to build frameworks for moving together that enable us to be in both solidarity and in dissonance with one another.
Our enquiry is multimodal; it happens both inside the studio and outside, with artists and community members.
In researching anti-oppressive relational states, we are aware that our process of working together itself must be held accountable to the artistic enquiry.
We have committed to developing a method of facilitation and co-working that is anti-racist and anti-ableist, and this loops back into our enquiry.