Attuning to Audio Description

Attuning to Audio Description

While not being able to fully answer these questions, I felt there was a level of integrity brought about by our commitment to the non-visual experience of dance, simply for ourselves and for the richness of our individual practices. When we stopped trying to 'do this for them' and started 'doing this for us', and being led by our personal investment in challenging the dominance of the visual, things began to feel more authentic, less contrived and more full of possibility.

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The Labour of Complaining: a murky, paradoxical and gaslighty experience

The Labour of Complaining: a murky, paradoxical and gaslighty experience

In our post-blacklivesmatter 2021 arts landscape in the UK, you could be forgiven for thinking that many institutions have changed, that marginalised identities are being given more space, that anti-racism is becoming centre-stage. And yet, when I try to voice a whiteness-related concern with an institution, most often they reply with a link to their webpage on anti-racism and diversity. Whose job has actually got easier?

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